Thursday 4 February 2016

Leicester City- "The Invincibels"

Leicester city, the team which was at the bottom of the table at his time of the year in the last season is now at the top of the table at his time of the year in this season.
That's Premier League for you, Baby !
#KeepItUp_Foxes

Obama's visit to Mosque - Just a part of some other plan !

Mr.Barack Obama visited a mosque yesterday in the U.S for the first time in his Presidency !

Here are the main points of his concluding speech :

"Let me say as clearly as I can as president of the United States: you fit right here," Obama told the audience at the Islamic Society of Baltimore, a 47-year-old mosque with thousands of attendees. "You're right where you belong. You're part of America too. You're not Muslim or American. You're Muslim and American."

"We can't be bystanders to bigotry," Obama said. "Together, we've got to show that America truly protects all faiths. As we protect our country from terrorism, we should not reinforce the ideas and the rhetoric of the terrorists themselves."

"You could not help but be heartbroken by their worries and their anxieties," Obama said of an earlier conversation with young Muslim community leaders. "Some of them are parents, and they talked about how their children were asking, 'Are we going to be forced out of the country? Are we going to be rounded up? Why do people treat us like this?' Conversations you shouldn't have to have with children. Not in this country."

MY POINT OF VIEW ON HIS SPEECH : 

It's good to see that he finally admitted that Muslims are also the citizens of U.S . I applaud him for speaking the truth and pointing out the mistakes. But where was he when Charlie Hebdo magazines were being published ? Pope spoke for Muslims but he didn't. Where was he when Muslims were being blamed for SanBernardino Attacks? Where was he when Palestine Muslims were being tortured and mauled by the Israelis ? So, I think that it is just a part of some other plan or just another step towards the establishment of New World Order.
If he respects and cares for Muslims that much, he should have stood by them when it mattered but he didn't. No doubt, "Action speaks louder than words".

Wednesday 3 February 2016

Sunday 31 January 2016

SAY NO TO RACIAL DISCRIMINATION ! #BlackIsBeautiful

When I Born, I Black,
When I Grow Up, I Black,
When I Go In Sun, I Black,
When I Scared, I Black,
When I Sick, I Black,
And When I Die, I Still Black.......


And You White Fella,


When You Born, You Pink,
When You Grow Up, You White,
When You Go In Sun, You Red,
When You Cold, You Blue,
When You Scared, You Yellow,
When You Sick, You Green,
And When You Die, You Gray.................


And You Calling Me Colored ?

Thursday 28 January 2016

Top 10 Movies of 2015

10. Son of Saul

In Son of Saul, director László Nemes has made one of the toughest and most disturbing films of 2015. A Holocaust drama stripped of of any shred of sentiment or decency, this film is a guided tour through Hell on Earth that is as immersive as it is horrifying. Shot almost entirely in lengthy close-ups and over-the-shoulder shots, Nemes places the audience squarely in the shoes of his title character. He is so used to the waking nightmare that is his life that he walks, head down, through out-of-focus horrors that have simply become just another thing he lives with now. The immediacy ofSon of Saul has to be seen to be understood and fully appreciated, as does Géza Röhrig‘s lead performance, which demands we find a connection with a man whose humanity has been wrung out of him, leaving a blank husk who fights for survival and nothing else on a daily basis. Son of Saul is an unforgettable portrait of a ruined man and the awful place that stripped him of his spirit.

9. Inside Out

The Pixar factory tends to churn out a bonafide masterpiece every few years, but Inside Out may be their greatest achievement yet. In many ways, this is the beloved animation studio’s smallest movie, telling the story of young Riley and her emotionally traumatic move to a new city. But within her mind, director and co-writer Pete Docter finds a vast landscape full of color and whimsy, grief and reality. As our young heroine powers through one relatable incident after another, her struggles play out in the exploits of her personified emotions, namely Amy Poehler‘s Joy and Phyllis Smith‘s Sadness. These adventures, while never anything less than hilarious and thrilling, ultimately build to one of 2015’s most powerful statements: grief is as important as happiness and sadness is the key to empathy. Inside Out has jokes for days, but it is the emotional catharsis of the final act, where the pain that accompanies letting go of childhood is internally dramatized, that makes it a masterpiece. And Bing Bong. Oh, Bing Bong.

8. Ex Machina

Set in one location and almost exclusively focusing on three characters, Alex Garland‘s Ex Machina is one of those small films that wears its intentionally limited scope as a badge of honor. This a little movie built upon massive ideas, a tight, lean thriller that contains more chilling science fiction concepts than genre films ten times its size. As an enigmatic tech genius billionaire who has built a high-functioning artificial intelligence in his isolated estate, Oscar Isaac creates one of the most disturbing villains in recent sci-fi history. As his employee who gets roped in to perform a Turing Test on his boss’ top secret creation, Domhnall Gleeson reveals himself to be one of modern cinema’s great secret weapons. And as Ava, that above mentioned artificial intelligence, Alicia Vikander proves herself to be a real deal movie star, crafting a femme fatale whose personality and complex motivations are terrible yet wholly justified. As a sci-fi thriller, Ex Machina is absorbing and frightening stuff. As a sly commentary on how men in the tech industry treats and views women, it is nothing short of a genre masterpiece.

7. Carol


Evocative and nuanced, Carol is the kind of movie that politely ask you to meet you halfway. Its characters, a young clerk and the older woman she falls for in 1950s New York City, must hold their affections and desires close to their chest. One misspoken word, one wrong glance, and their worlds will come crumbling down. This means Carolis a romance built around two women whose longing for one another is told through subtle looks and dialogue with double meaning. To carefully watch these two carefully fall in love with one another is to fall in love with them as well. DirectorTodd Haynes wields melodrama like precision weapon – there is just enough of his Douglas Sirk fetish on display to heighten the drama, but not so much that the film ever loses touch with its complex emotional core. Haynes and cinematographer Edward Lachman frame their low-key but deeply moving tale of forbidden love in painterly compositions, where colors often tell us everything we need to know. Carter Burwell‘s score fills in all of the blanks the characters leave in every spoken sentence. Costume designer Sandy Powell ensures that both leads are impeccably dressed. Most importantly, Cate Blanchett and Rooney Mara give career-best performances, breathing life into characters who could have easily felt cold and distant. This is a beautiful film in every way.


6. The Hateful Eight

With The Hateful EightQuentin Tarantino has provided a vicious retort for Inglourious Basterds and Django Unchained. While his previous two films were about giving the victims of historical wrongs a chance to fight back and find bloody, fanatical satisfaction on the movie screen, the latest effort from modern Hollywood’s most consistent provocateur rubs your nose in the sins of the past, giggling the whole time. Shot with antique CinemaScope lenses on 65mm film, The Hateful Eight looks like a high-pedigree epic but feels like Bring Me the Head of Alfredo Garcia‘s equally sleazy cousin (who just finished reading some Agatha Christie). For the its first 90 minutes, the members of Tarantino’s all-star ensemble feel each other out, speaking in riddles, half-truths and outright lies. In its second 90 minutes, the guns come out and the truth starts to gush alongside the blood and the gore and the brains. The Hateful Eight is a murder mystery where everyone is guilty, where each character is emblematic of the rot festering in post-Civil War America and, by natural extension, America in the year 2015. Despite their varied backgrounds, everyone in this sordid tale is a foul, loathsome villain, a symptom of the darkness no one wants to talk about. This is a mean movie, a bucket of icy water in the face after the catharsis of DjangoThe Hateful Eight takes its time, and indulges in its own tangents. It doesn’t like you and it doesn’t care if you like it. That’s aggressive and brave and suicidal and ridiculous and, well, that’s Tarantino.

5.Creed

Defying conventional wisdom about diminishing returns, this holiday season will see the release of the seventh installment in an iconic 1970s film franchise that not only lives up to the best of its predecessors, but also respectfully forges its own path. (Hopefully the new “Star Wars” movie is good, too.) With his “Rocky” spinoff, “Creed,” writer-director Ryan Cooglerconfirms every bit of promise he displayed in his 2013 debut, “Fruitvale Station,” offering a smart, kinetic, exhilaratingly well-crafted piece of mainstream filmmaking, and providing actorMichael B. Jordan with yet another substantial stepping stone on his climb to stardom. Yet the biggest surprise may be Sylvester Stallone: Appearing in the first “Rocky” film that he didn’t also write — and the first in which he takes on a supporting role — the veteran channels all his obvious love for the character into his performance, digging deeper as an actor than he has in years. Despite some heavyweight competition over Thanksgiving weekend, “Creed” should still be a contender at the box office.

4.Bridge Of Spies

It’s no small feat turning a shyster and an enemy spy into national heroes, but that’s the unique achievement of Steven Spielberg’s “Bridge of Spies.” If Jimmy Stewart were alive today, the director surely would have asked him to play James Donovan, a noble New York insurance lawyer roped into providing an alleged Soviet agent with pro-bono legal representation, who later goes on to broker his exchange for two Americans held captive by Commies. Failing that, he’d done one better and cast honorary Boy Scout and all-around good guy Tom Hanks in the role, transforming a potential indictment of patriotic hypocrisy and Cold War subterfuge into a riveting, feel-good time for the whole family (two instances of the “F-word” notwithstanding), putting it on track to top “War Horse.”

3. The Revenant

DiCaprio's performance is an astonishing testament to his commitment to a role. That's really him plunging into that river. That's him staggering half-naked through the teeth-chattering cold. That's him grabbing a fish out of icy waters and eating it raw.

2. The Big Short

No nation has a corner on the cupidity, duplicity, stupidity and willful blindness that fueled the subprime mortgage bubble of the mid-2000s. Only in America, though, could filmmakers illuminate such a dire subject, and the financial debacle that ensued, with the sort of scathing wit, joyous irreverence and brilliant boisterousness that make “The Big Short” an improbable triumph.

1. The Martian

His space crew abandons astronaut Matt Damon on Mars. The Golden Globes think it's a comedy. I think it's an exuberant take on the science of the unknown and a chance to celebrate the vibrant, virtuoso talent of director Ridley Scott. Indeed, the best movie of 2015 . This film really deserves an Oscar.

Wednesday 27 January 2016

Damn ! What a Bicycle Kick !

No doubt, this is the most amazing bicycle kick I have ever seen ! I assure you, This guy has got one heck of a talent !

Human Fucking Beings !

Unfortunately, Sweepers are more educated than us !
We throw garbage on the roads, they throw it in the dust bin.